Photo artist Markus Georg Reintgen is addressing war and violence in his work (see also the Wartist article about his series “Remember September”). The exhibition “Krieg – Väter und Söhne” (War – Fathers and Sons) at Anti-War Museum in Berlin (20 October 2012 to 6 January 2013) will show (digitally altered) photos on this subject. Continue reading “Markus Georg Reintgen: “War – Fathers and Sons” (Anti-War Museum Berlin)”
Tag: Zweiter Weltkrieg
Holocaust in Comics (KZ-Gedenkstätte Dachau)
From 19 April until 30 September 2012, the exhibition “Holocaust im Comic” (Holocaust in Comics) is shown at Evangelische Versöhnungskirche of KZ-Gedenkstätte Dachau. Curator Ralf Palandt, himself comic artist and founding member of Gesellschaft für Comicforschung (ComFor) (Association for Comic Studies), published a reader on right-wing extremism, racism and anti-Semitism (“Rechtsextremismus, Rassismus und Antisemitismus in Comics”) in 2011. Continue reading “Holocaust in Comics (KZ-Gedenkstätte Dachau)”
Opening: Metamorphosis of Japan after the War. Photography 1945-1964 (Berlin)
Gerhard Richter is 80 – Happy Birthday
“The Prose of Events” Opened at ARD-Hauptstadtstudio, Berlin
Wartist presents: “Jens Kloppmann – The Prose of Events” at ARD-Hauptstadtstudio
We are pleased to announce another exhibition at ARD-Hauptstadtstudio, Berlin: “Die Prosa der Ereignisse” (The Prose ov Events), to be opened on 7 February 2012. Several cycles and other individual works by Jens Kloppmann will form a cross-section of his work. Both the materials and techniques used are manifold and reach from video installations and retouched photos to plaster casts and fretworks, to name a few. Ulrich Deppendorf, Head of ARD-Hauptstadtstudio, will open the exhibition that is curated by Martin Bayer . This exhibition, too, will be kindly supported by Deutsche Atlantische Gesellschaft e.V. and SONY Deutschland.
Continue reading “Wartist presents: “Jens Kloppmann – The Prose of Events” at ARD-Hauptstadtstudio”
Wartist Exclusive: “Trümmerfrau” by Jens Kloppmann
Since years, Berlin-based artist Jens Kloppmann is addressing issues of visual reality and collective memory that he is realising with many different media. Today, I am proud to present to you an edition that he has manufactured exclusively for Wartist and which will solely be offered via Wartist. His work “Trümmerfrau”1 does not only bring back memories of Germany’s old currency, but is a strong statement of humility and not the least of German identity.
Continue reading “Wartist Exclusive: “Trümmerfrau” by Jens Kloppmann”
- Trümmerfrau literally means “rubble women” and refers to the millions of German women that cleared the rubble after World War II ↩
“Es geht eine dunkle Wolke herein”: Soldier’s Songs from Five Centuries
Throughout history, songs have addressed war and accompanied the soldiers. Many “soldier’s songs” found their way into everyday life. On 7 December 2011 at 1930h, a recital with soldier’s songs from five centuries will take place at Erich Maria Remarque-Friedenszentrum (E.M. Remarque Peace Centre) in Osnabrück as part of the supporting programme to the exhibition “Grensgevallen – Grenzfälle” (border cases). Günter Gall (vocals, guitar, dulcimer, lyrics) and Konstantin Vassiliev (guitar, reed organ, compositions) present their new programme “Es geht eine dunkle Wolk herein” (a dark cloud is approaching) with German and Dutch soldier’s songs.
Continue reading ““Es geht eine dunkle Wolke herein”: Soldier’s Songs from Five Centuries”
“Die, Nazi Scum!” Soviet TASS Propaganda Posters 1941-1945, Andrew Edlin, New York
From 17 November 2011 to 14 January 2012, New York-based Andrew Edlin Gallery presents Soviet propaganda posters from the Second World War in its exhibition “Die, Nazi Scum!” Soon after the German attack on the Soviet Union in June 1941, the Okna TASS studio was founded in Moscow. During the war, it produced the enormous output of 1,240 posters, equalling nearly one work per day. Continue reading ““Die, Nazi Scum!” Soviet TASS Propaganda Posters 1941-1945, Andrew Edlin, New York”
Wartist presents Jan Bejšovec: “Konfliktstoff Deutschland” (Berlin)
We are proud to present textile works by Jan Bejšovec on the premises of the both centrally located and well-visited ARD-Hauptstadtstudio on 5 July 2011.1 The solo show “Konfliktstoff Deutschland”2 is a wide selection of the Berlin-based artist’s works, including new ones such as the “Reichsstadtpalast”3. The exhibition is curated by Martin Bayer (wartist.org). On the occasion of the opening, ARD correspondent Christian Thiels will moderate an artist’s talk.
Continue reading “Wartist presents Jan Bejšovec: “Konfliktstoff Deutschland” (Berlin)”
- The studio of the German TV station ARD (regulated by public law) and their liaison offices in the capital Berlin. ↩
- The German Konfliktstoff literally means “cause for conflict”, but here, it refers to the textile material, too. ↩
- Literally “Imperial City Palace”, referring to its combination of the Nazi’s Reichskanzlei, the Imperial City Palace of Berlin, and the GDR’s “Palace of the Republic”, all three historic buildings of Berlin that have been demolished. ↩