Connecting War and the Arts
From 26 January until 26 February 2012, Kata Legrady presents her exhibition “Bombs & Candies. dulce et decorum” at Bazon Brock’s recently opened location “Denkerei/Amt für Arbeit an unlösbaren Problemen” (Thinkery/Bureau for Working on Irresolvable Problems) in Berlin. Grenades, pistols and assault rifles (the iconographic AK-47, of course) have been decorated with candies and remind of Antonio Riello’s “Ladies Weapons” while taking the same track between aesthetics and destruction.
We are pleased to announce another exhibition at ARD-Hauptstadtstudio, Berlin: “Die Prosa der Ereignisse” (The Prose ov Events), to be opened on 7 February 2012. Several cycles and other individual works by Jens Kloppmann will form a cross-section of his work. Both the materials and techniques used are manifold and reach from video installations and retouched photos to plaster casts and fretworks, to name a few. Ulrich Deppendorf, Head of ARD-Hauptstadtstudio, will open the exhibition that is curated by Martin Bayer . This exhibition, too, will be kindly supported by Deutsche Atlantische Gesellschaft e.V. and SONY Deutschland.
Continue reading “Wartist presents: “Jens Kloppmann – The Prose of Events” at ARD-Hauptstadtstudio”
From 12 February until the end of May 2012, the Militärhistorische Museum (MHM, Military-Historical Museum of the Bundeswehr1) in Dresden will show the exhibition “Krieg” (war) with photographs by James Nachtwey. He is one of the most important contemporary photojournalists; not the least, he is famous for his touching pictures from zones of war and conflict. Nachtwey will receive the Dresden Peace Award; in this course, he will open the MHM’s first special exhibition after its recent reopening. Krieg will include some 60 of his works, including his impressive 11m-long frieze that had only been on show in two exhibitions in the USA and France.
Continue reading ““War” – Photographs by James Nachtwey at the Military-Historical Museum, Dresden”
Berlin-based artist Jens Kloppmann will present his impressive video installation “6:57 P.M.” as artistic supporting programme to the international symposium “Memorial Mania – Negotiating Social and Political Strategies of Memory” of the American Academy Berlin at Haus der Kulturen der Welt (9-10 December 2011, see this Wartist article). The conference will address various issues of the culture of remembrance, including the tenth anniversary of the terrorist acts of 9/11, with an emphasis on memorials and both German and American approaches.
We are proud to present the group show “Zeitenwende” (turning point) on the premises of the both centrally located and well-visited ARD-Hauptstadtstudio on 1 September 2011. 12 artists show their positions on the 10th anniversary of the terrorist attacks of 9/11 and their ongoing aftermath: more than 50 works include light, video and textile installations, photography, watercolours and paintings. The exhibition is curated by Martin Bayer (wartist.org) and will be opened on 1 September 2011 by Head of ARD-Hauptstadtstudio Ulrich Deppendorf. “Zeitenwende” is a cooperation with Deutsche Atlantische Gesellschaft (German Atlantic Association).
Continue reading “Wartist presents: Group Show “Turning Point” on 10 years of 9/11 at ARD-Hauptstadtstudio, Berlin”
Soon, THE art event of 2011 is about to begin: on 4 June, the 54th Biennale di Venezia, curated by Bice Curiger with this time’s title “ILLUMInazioni” will be opened. Again this year, critics will point out how very outdated national pavillons are in the time of globalisation. And again this year, the many national pavillons will demonstrate the different ways of (re)presenting art.
Continue reading “Don’t miss it: La Biennale di Venezia”
From 27 May until 23 June 2011, Hilger Brot-Kunsthalle in Vienna (Austria) presents “255,804 km² – Young Art from the Former Yugoslavia“, naming the size of the then-Socialist Federal Republic of Yugoslavia in its title. The exhibition assembles works from 30 artists who were born in this state that broke down in 1991-1992. This collapse led to several wars; most of their conflicts are still unresolved.
Continue reading “255.804 km² – Young Art from the Former Yugoslavia (Brot Kunsthalle, Vienna)”
Continue reading “Sara Rahbar: “I have no faith left for the devil to take” (Hilger, Vienna)”
Since 29 April 2011, Berlin-based Brutto gusto presents the impressive work “Back from War” by the Belgian artist Cathy Coëz. Born in 1968 in Grenoble (France) and living in Brussels, the artist works with earthenware and porcelain since just two years: countless objects are meticulously produced and often organically arranged by her. ”Back from War“ joins her previous abstract but highly touching reflection of war.
