Continue reading ““Turning Point” was opened at ARD-Hauptstadtstudio”
Tag: Deutschland
Wartist presents: Group Show “Turning Point” on 10 years of 9/11 at ARD-Hauptstadtstudio, Berlin
We are proud to present the group show “Zeitenwende” (turning point) on the premises of the both centrally located and well-visited ARD-Hauptstadtstudio on 1 September 2011. 12 artists show their positions on the 10th anniversary of the terrorist attacks of 9/11 and their ongoing aftermath: more than 50 works include light, video and textile installations, photography, watercolours and paintings. The exhibition is curated by Martin Bayer (wartist.org) and will be opened on 1 September 2011 by Head of ARD-Hauptstadtstudio Ulrich Deppendorf. “Zeitenwende” is a cooperation with Deutsche Atlantische Gesellschaft (German Atlantic Association).
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Wartist presents Jan Bejšovec: “Konfliktstoff Deutschland” (Berlin)
We are proud to present textile works by Jan Bejšovec on the premises of the both centrally located and well-visited ARD-Hauptstadtstudio on 5 July 2011.1 The solo show “Konfliktstoff Deutschland”2 is a wide selection of the Berlin-based artist’s works, including new ones such as the “Reichsstadtpalast”3. The exhibition is curated by Martin Bayer (wartist.org). On the occasion of the opening, ARD correspondent Christian Thiels will moderate an artist’s talk.
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- The studio of the German TV station ARD (regulated by public law) and their liaison offices in the capital Berlin. ↩
- The German Konfliktstoff literally means “cause for conflict”, but here, it refers to the textile material, too. ↩
- Literally “Imperial City Palace”, referring to its combination of the Nazi’s Reichskanzlei, the Imperial City Palace of Berlin, and the GDR’s “Palace of the Republic”, all three historic buildings of Berlin that have been demolished. ↩
Jens Kloppmann: “schlachten” (Kunstraum Richard Sorge, Berlin)
On 5 May 2011, Kunstraum Richard Sorge will open the solo show “schlachten” with works by Jens Kloppmann. The exhibits presented address war, perception and commemoration by various ways and different materials. On show from 8 May onwards (and thus parallel to the anniversary of unconditional surrender of German forces in World War II), the exhibition will be supported by special events such as an artist’s talk on 26 May, moderated by Martin Bayer (wartist.org).
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Wartist presents: “Furtive” by Simon Menner (Berlin)
From 18 March 2011, Wartist presents photographic works by Simon Menner in the premises of the Berlin-based political consultancy republik movida GmbH. The exhibition “Furtive”, curated by Martin Bayer, will show parts of two cycles, “Camouflage” and “Murder Weapons”. Reinhold Robbe, Wehrbeauftragter des Deutschen Bundestages 2005-2010,1 will give a welcoming address.
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- The Parliamentary Commissioner for the Armed Forces ↩
Berlinale Film Festival: Programme has been Released
Media Art Festival “transmediale.11” (Berlin)
In 1988, the media art festival transmediale was founded under its name “VideoFilmFest” in the periphery of the film festival Berlinale; in 1998, it recieved its current name. There is not only a conference, but also an open competition, an exhibition and various side events. This year’s subject is called “RESPONSE:ABILITY”. In 2011, too, several works address war.
Aesthetics of Disappearance by Jananne Al-Anis (2010) Continue reading “Media Art Festival “transmediale.11” (Berlin)”
Gerhard Richter: Images of an Era
With the exhibition “Images of an Era” (5 February – 15 May 2011), Bucerius Kunst Forum in Hamburg presents a detailed view into Gerhard Richter’s works of the 1960s and 1970s. In February 1961, Richter fled from Eastern Germany to the West. He depicted his “new world” in large-sized pictures, often based on photos. Gerhard Richter, born in 1932 and today one of the world’s most recognised contemporary artists, has consistently addressed the Nazi period in Germany, but also war and technology. His work “XL 513” from 1964 expresses tremendous dynamics and power.
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Simon Menner: Images from the STASI Secret Archives (Berlin)
As recently announced at Wartist, from 17 January until 3 March 2011, Simon Menner presents “Images from the Secret STASI Archives”1 as part of the exhibition series “Rendezvous mit Kunst” (meeting with art) at Berlin’s restaurant Diekmann. The exhibition of 26 authentic photographs is part of a bigger cycle that the artist selected from images he was being provided by the “Bundesbeauftragten für die Unterlagen des Staatssicherheitsdienstes der ehemaligen Deutschen Demokratischen Republik” (BStU)2.
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- Stasi is the short form of “(Ministerium für) Staatssicherheit” ((Ministry for) State Security), the East-German state security service. ↩
- Federal Commissioner for the Stasi Archives ↩
Opening: Simon Menner – Images from the Secret STASI Archives (Berlin)
From 17 January to 3 March 2011, Simon Menner presents “Images from the Secret STASI Archives”1 within the framework of “Rendezvous mit Kunst” (meeting with art) at Berlin’s restaurant Diekmann. Also in this country, surveillance by images and video is increasingly becoming ubiquitous. But what does “Big Brother” really see? How banal is the “gaze of evil” of an oppressive regime, and how obvious is its terror?
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- Stasi is the short form of “(Ministerium für) Staatssicherheit” ((Ministry for) State Security), the East-German state security service. ↩